When Dutch Curator Jeroen Van Paassen invited me to be part of “Voyage, Voyage: The Artist As Nomad” I was excited about the theme. The piece I contributed with is “No Mind” (installation/book of woodcut and calligraphy) which deals with the struggle during the practice of meditation or mindfulness, philosophy which I became interested and have been studying since I moved to Asia. I thought it was appropriate this show, as explained below:

                                                                       Invitation

“Voyage Voyage – the artist as a modern nomad
After the 2nd World War, making travel far become commonplace, even for artists. They travel to the end of the world to be inspired by distant horizons, follow artist-in -residence programs in several countries or emigrate to new home countries. How are all these contacts with other cultures reflected in contemporary art ? Can one speak of multicultural art?”

                                                   No Mind (Book/Installation)

https://d19tqk5t6qcjac.cloudfront.net/i/412.html

The following was published at the Korea Times after I took part at the Ibero-American Art Fair took place in Hangaram Museum in Seoul, S. Korea Dec.12-16, 2014 together with several renowned and talented Latin artists. Once again, thanking the organizers for their kind invitation.

http://www.koreatimes.co.kr/www/news/nation/2014/12/176_169893.html

Display of my works at the Hangaram Museum of Seoul, S. Korea

While I was in Ecuador, writer Whit Altizer, from Bracket magazine from S. Korea contacted me for an interview. It was really interesting and stimulating working with him and this is the result (please read page 32-33). Feeling thankful to Bracket for their interest in my work and for helping spread the information about it:

September 2014 edition of Bracket Magazine, printed in Daegu, S. Korea

page 32

Page 33